종이가 바람이 되다

종이 paper, 바람 wind, 바람 wish

According to Henry Bergson (1859-1941), ‘memory’ is the persistence of past images, and these images intermingle with present perceptions, condensing numerous moments from the past into the intuition of the ‘now.’ Psychoanalytically, ‘memory’ is adjusted by ‘displacement,’ which alters the construction of the past from the present moment, and ‘parallax,’ which is the re-enciphering from the present position.

Yoen Hee Kim (Art Theory and Criticism ph.D)